MaryAnn McKibben Dana |
So, she's a regular congregational preacher like most of the Festival attendees, and her message "Lips, Stomach, Heart" based on Matthew 15: 10-28 was a really fine example of a preacher who has wrestled with her text, come up a with a bloody lip, and is sharing her honest learnings with the assembly. Her movement from an image of "Jesus caught with his compassion down" to a God of ever-increasing grace was thoughtful, aware of the listener, couched in our current context, and really accessible. I can see why she's a great congregational speaker.
One piece of her message that struck me was her commentary on our current culture of saying more and more about less and less and her commentary on our snark-obsessed virtual world. She reads the story of Jesus and the Canaanite woman through this lens. And if Jesus' words are less than kind, our cultured response would be to expect, even demand, snarkiness back. Instead, Dana called us to something greater, to one-liners that elevate. She said, "The Canaanite woman does this: She polishes the defiled words [Jesus spoke to her] off, and hands them back and says, 'There. That's more like it.' That's our job as preachers, too, in an age of snarkiness."
So often, I get caught up in a culture of quick retort and snark. It's funny, fun, and oftentimes immediately gratifying. A deft smart response often gets a greater reaction (and support, really) than does a thoughtful one. How often, then, as a preacher, am I able to just as quickly respond with words that elevate? With words that take the conversation to a more balanced, peace-filled space, where ideas can be handed back with a little sheen of grace on them. Actually, I think that this is the pastoral care aspect of what Anna Carter Florence was talking about in her discussion of living in a parable universe--when we see sacramentally, we can preach sacramentally, but then we must also live sacramentally in our everyday conversations. One liners that elevate. Gonna let that one marinate.
Dana appeared to be a confident preacher, who brought her own style to the preaching moment. One classmate pointed out that she was herself, even down to her patterned pants, not trying to dress down or up or around or any other way that looked uncomfortable for her. She moved. She gestured. And she seemed like herself.
Her preaching inspired a conversation between a classmate and myself about how women use their voices. We talked about the breathiness that so many women adopt when addressing a large group (Dana did not do this, but 4 of the 5 women who asked questions afterward did.). Where does it come from? I said that I thought it was a way of sounding humble and unassuming. To speak with breathiness is to defer in some way, but my friend said that she found it to be sickeningly sweet. Both of us agreed that it can be one way that women choose to make their voices smaller in society. I began thinking about how clearly Anna Carter Florence and Barbara Brown Taylor spoke today, how I was captivated not only by their words, but by the strong, clear tone of their voices. It's something I need to pay better attention to in myself. How often am I minimizing myself through my voice or actions (or humor, as is often my case)? How might this be diminishing the message I have been tasked with giving?
Good catch on the breathy. I love the connection with the societal pressure for women to take up less space - "Don't let your voice get too big and shrill." Clear tone, yes.
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